special VALENTINE and what the table looked like, with two people working on the same project!
Take a look at Part II here and Part III here.
1 year ago
12 March 2011
folder journal BEGINNINGS
I thought it would be fun to share the first steps of how I made my
special VALENTINE and what the table looked like, with two people working on the same project!
Take a look at Part II here and Part III here.
special VALENTINE and what the table looked like, with two people working on the same project!
Take a look at Part II here and Part III here.
08 March 2011
TECHNIQUE: image transfer
There are a variety of ways to accomplish an image transfer, one of my very favorite techniques. I have achieved good results with a range of products, and have had equal success with both golden acrylic soft gel (matte), 8oz $10.22 USD and royal coat decoupage SATIN , 8 oz. $5.12 USD.
So far, I've used these five methods.
(1) TRANSPARENCY. print image onto a sheet of ink-jet transparency film, (spray with fixative) select a background and paint surface with a layer of soft gel. Place transparency ink-side down and brayer. peel back a corner to check your progress.. when image has (mostly) transferred - remove!
(2) GEL SKIN. First, select your image and cut it out. Apply soft gel like you're spreading butter on toast. let dry. repeat 5-10 times. roughen back with sandpaper, moisten with water & rub off paper backing with fingers.
(3) MY STANDARD. select a printed image and a background, apply a generous layer of soft gel to both and brayer for full saturation and coverage. Wait 1-2 minutes! Then peel back a corner to check your progress.. when image has (mostly) transferred - remove! Toner images work best but with trial-and-effort, meaning different sources for images, different substrates & varied drying time, (even FABRIC), you'll find there are MANY options. I have had most success with this method using vintage ledger paper.
(4) STANDARD. same as above but instead of peeling the image away from the background page, use sandpaper to roughen, moisten with water and rub backing off with fingers.
(5) PACKING TAPE. Select and cut out an image from a magazine or brochure. Apply as many strips of packing tape needed to cover completely. Submerge in warm water and remove once you're able to rub paper off with your fingers, sanding to roughen as that helps to get it started (but be careful, as always, not to remove too much). SOME MAGAZINES work better than others, so keep searching & testing... I can promise you that, as in life, the reward is worth the effort!
The trick with ALL of these methods is that the darker colors become more opaque while the lighter areas allow your background to show through. Be aware that text will appear reversed except when using gel skin and packing tape, where the "positive" image is used.
Here a few photos to illustrate the gel skin process:
So far, I've used these five methods.
(1) TRANSPARENCY. print image onto a sheet of ink-jet transparency film, (spray with fixative) select a background and paint surface with a layer of soft gel. Place transparency ink-side down and brayer. peel back a corner to check your progress.. when image has (mostly) transferred - remove!
(2) GEL SKIN. First, select your image and cut it out. Apply soft gel like you're spreading butter on toast. let dry. repeat 5-10 times. roughen back with sandpaper, moisten with water & rub off paper backing with fingers.
(3) MY STANDARD. select a printed image and a background, apply a generous layer of soft gel to both and brayer for full saturation and coverage. Wait 1-2 minutes! Then peel back a corner to check your progress.. when image has (mostly) transferred - remove! Toner images work best but with trial-and-effort, meaning different sources for images, different substrates & varied drying time, (even FABRIC), you'll find there are MANY options. I have had most success with this method using vintage ledger paper.
(4) STANDARD. same as above but instead of peeling the image away from the background page, use sandpaper to roughen, moisten with water and rub backing off with fingers.
(5) PACKING TAPE. Select and cut out an image from a magazine or brochure. Apply as many strips of packing tape needed to cover completely. Submerge in warm water and remove once you're able to rub paper off with your fingers, sanding to roughen as that helps to get it started (but be careful, as always, not to remove too much). SOME MAGAZINES work better than others, so keep searching & testing... I can promise you that, as in life, the reward is worth the effort!
The trick with ALL of these methods is that the darker colors become more opaque while the lighter areas allow your background to show through. Be aware that text will appear reversed except when using gel skin and packing tape, where the "positive" image is used.
Here a few photos to illustrate the gel skin process:
In pic#5, you see a crisp, transparent image however, the final step in my journal shows a "milky" uneven finish to my transfer. An "ooops!" - here's what happened: instead of JUST spraying the back and rubbing the paper off.. I first dipped the image (with 8 layers of dry Royal Coat satin) into a tub of water for a few minutes - and that was my mistake. The front turned completely opaque and I was forced to use the reverse side which still retained a fine film of paper, no mater how hard I tried to remove it, even glaze it. LESSON: reserve the dipping step for packing tape transfers! Don't be afraid to make mistakes because trial-and-error is part of streching yourself creatively!
No art is bad art!
Mother's Day card 2009 made with gel skin method, described above. I cut-away the card behind the image, to show its transparent qualities, which is shown from the reverse at the beginning of this post.
06 March 2011
27 February 2011
finding my visual voice
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The last 2 pics were taken in 1985 at a sculpture garden for an assignment from a college photography course I was taking in NY.
23 February 2011
Folder Journal - making magic with office supplies
Somewhere in my future is a more serious book with coptic stitch bindings and pretty endpapers...
.. but for now, I wanted to share a project that was inspired by the Jan/Feb 2011 issue of "Cloth Paper Scissors" called FOLDER JOURNAL by Heidi Sekovski and Karin Winter.
Office Supplies: manilla file folders, hole punch, "artsy" reinforcements, paperclips, ledger paper. And from My Stash: handmade acrylic background papers, markers, sharpie paint pens, ribbon, caran d'ache water soluable wax pastels and a few photos thrown in! (view part 2 of this project here.)
Jen Mason, editor of the magazine, has a video showing some of the folders from the magazine article! here
.. but for now, I wanted to share a project that was inspired by the Jan/Feb 2011 issue of "Cloth Paper Scissors" called FOLDER JOURNAL by Heidi Sekovski and Karin Winter.
Office Supplies: manilla file folders, hole punch, "artsy" reinforcements, paperclips, ledger paper. And from My Stash: handmade acrylic background papers, markers, sharpie paint pens, ribbon, caran d'ache water soluable wax pastels and a few photos thrown in! (view part 2 of this project here.)
Jen Mason, editor of the magazine, has a video showing some of the folders from the magazine article! here
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